The beauty of binding material in the form of paper is also a kind of beauty of Wang Qiao. We are from "Ci Wen," "Wax," and "Felt." “Stone grain†and other special papers have irregular and orderly textures, and they are made of "silver and silver foils," and "gold and silver foils," and "transparent transparent," "shadow," and "rainbow," and translucent specialty papers. From the glossiness of special paper such as "cards", from the hand-rubbing disorderly rough wrinkles such as the "elegant series", we can see that human beings are omnipotent in the papermaking process.
The beauty of today's specialty papers fully embodies the connotations of the phrase “sometimes in the sky, the atmosphere in the ground, the beauty in the material, the work in the skill, the co-existence of the four, and then the goodâ€. The beauty of framing materials fully embodies the infinite wisdom of human beings and reflects the results of human wisdom and heaven, earth, and wood. In its beauty, we appreciate the crystallization of natural and human interaction.
The beauty of bookmaking is not only reflected in the printing and binding process, but also in the beauty of the binding material. Today, more and more designers have realized the charm of the beauty of the material itself, and integrated the beauty of the material into the overall beauty of book binding, and become an indispensable part of the beauty of binding.
In the past, publishing workers often complained that our books were not as beautiful as those of developed countries, and the backwardness of framing materials was indeed one of the important reasons. Nowadays, the rapid development of China’s economy has greatly promoted the development of bookbinding art. This promotion is reflected in two aspects: First, the quality of binding materials is getting closer and closer to the level of developed countries, and the fineness of the binding materials of some of our outstanding books It even won praise from Western publishers. Secondly, the modernization of binding materials has promoted the sublimation of book binding design concepts. The binding materials of Chinese books are increasingly focused on grades, emphasize taste, and stress the cultural connotation of materials. Material has become an important content that expresses the design of book binding design. The rapid development of China's economy and the continuous enrichment of the material have fundamentally changed the face of the art of book binding in China.
The role of material beauty in the framing creativity cannot be overstated. The creation of true works of art requires the accumulation of training and cultivation. However, artists must recognize the beauty of materials. It can exist independently, and in the ordinary circumstances it becomes the basic form that constitutes the beauty of artistic works. The beauty of binding materials, although it also belongs to the initial aesthetics, also constitutes the beauty of book binding design. One of the basic elements.